![]() Escape Through the Movies didn’t take itself too seriously. It had fanfare, but the final solve wasn’t epic enough to serve as a conclusion to such a large-scale experience. – The ending lacked the drama of some of the early scenes. We accidentally walked past one scene without stopping to experience it. In one instance, Boom Chicago needed better stage directions. While we enjoyed the concept, it meant we walked through a lot of wholly undesigned space, which broke the fiction. – We traversed a lot of different sets in Escape Through the Movies. We’d solve something and the escape room would react, but off cue. + Boom Chicago achieved a massive escape room milestone in creating an iconic movie interaction that so many other companies have clearly wanted to build, but simply didn’t know how to make it work. We’d wonder whether we were approaching them correctly. – The puzzles – and other puzzley activities – didn’t give quite enough feedback. Some parts were a little intense and others were silly, but these segments were where Escape Through the Movies really shined. ![]() + Boom Chicago added sequences that didn’t follow typical escape room gameplay. It could justify just about anything… so it took us through some of the most unexpected scenes. Boom Chicago seemed to struggle with how realistic to make this humorous adventure. Some sets seemed to strive for realism, while others did not. – As we left the first set, we entered into an uneven fantasy world. It set the stage for our strange adventure. + Escape Through the Movies began with a typical escape room set and game flow. It had a lower level of difficulty.Ĭore gameplay revolved around searching, light interaction with an actor, and puzzling. Some segments look beautiful, while others seemed thrown together.īoom Chicago’s Escape Through the Movies was a standard escape room with some other types of gameplay mixed in. It spanned multiple floors and each new space represented a different movie (or series). Escape Through The Movies was built in various rooms throughout their backstage area. History’s worst movie villains would conquer our reality unless we stopped them.īoom Chicago is, first and foremost, an improv comedy theater. The movies are real worlds and Hannibal Lecter wanted to bridge the gap between our reality and the movies.
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